“Babu Moshai Zindagi Badi Honi Chahiye Lambi Nahi” The actor has delivered many legendary dialogues amongst all this dialogue is most famous Bollywood dialogues that made him a superstar overnight.ĥ. Late Rajesh Khanna was one of the Bollywood gems. Not many know that the actual dialogue is ‘’Tumhare baap hote hai’’, but his fan knows it as ‘’Baap lagte hai’.Ĥ.
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The dialogue is from the iconic movie Shahensha. There is a reason why Amitabh Bachchan is known as the angry young man. “Rishte Mein Toh Hum Tumhare Baap Hote Hai Aur Naam Hai Shahensha” The classic dialogue is from the movie – Mr. We do not know about the Mogambo, but this dialogue has brought smiles to many faces. The dialogue has been part of many memes and has become popular Bollywood dialogues over the years. This dialogue from cult classic Sholay has won many hearts. Following are the few famous dialogues of Bollywood movies of the era that are still remembered. It was in the ’70s that the writers were also given credit for remarkable screenplay and dialogues. In the same era, well-known writers Salim Khan and Javed Akhtar debut as screenplay writers. The seventies and eighties are known to be influential decades in Hindi Cinema. Each dialogue will remind of the characters that have mouthed it! Best Bollywood Dialogues of 70s & 80s Here we have curated a list of famous Bollywood dialogues from a different era. Famous Dialogues of Bollywood Movies of the 2000sīollywood has completed more than 100 years and thanks to all the legendary writers for giving us exemplary dialogues over the years.Whether it’s slapping witnesses with abandon or barking orders, she’s a charismatic presence who you really wish had her own movie.
To be fair, Kirti Kulhari’s Inspector Dalbir is the real star of the show. Clearly designed to make Mira a more sympathetic heroine, it also has the effect of reducing the two other women to one-dimensional victims and promoting the investigating detective to a more key role. I even enjoyed the opening musical number, which helped set the scene for Mira (Parineeti Chopra) and Shekhar Kapoor’s (Avinash Tiwary) fairytale romance and wedding, and was intrigued by Mira, the renamed Rachel, being a high-profile criminal prosecutor, rather than the source material’s everywoman.īut, after we’ve established Shekhar’s controlling behaviour (not only does he advise her what movies she should watch, but also is the one that tells her she’s pregnant), laid the groundwork for her alcoholism (the loss of her husband to another woman and her unborn child, after a car crash) and set up her obsession with both him and Nusrat (Aditi Rao Hydari), a woman she spies on her daily commute who has seemingly the perfect life she once had, that’s when things really start to go down a different path to the book and off the rails.ĭasgupta and Viddesh Malandkar’s version overlays a whole extra narrative strand that, in the end, completely takes over, changing the nature of the story and reminding one of countless crime dramas of 1980s and ‘90s. It also certainly looks glossy, slick and offers a fascinating alternative, bilingual view of London, where caucasian characters only have peripheral roles to play. Parineeti Chopra is Mira Kapoor, The Girl on the Train.